Playing in the liminal space between chaos and organization, abstract artist Lisa Nankivil creates bold stripe paintings. In her studio, she utilizes a sliding T-square mounted on a roller skate wheel, allowing gravity and an organic attitude to help her compositions take form. Nankivil permits her canvas’ definitions to get lost and found in the struggle between surface and deep space. To Nankivil, experiencing abstract art is for everyone and the bridge it creates to feelings are best left to the viewer, and not tags on a museum wall.
This segment aired as part of mn original show #226.
Lisa N. Peters
Of the more than 130 international exhibitors at the Fifteenth Annual Los Angeles Art Show, on view January 20-24, 2010, Spanierman Modern’s exhibition of the dynamic abstract paintings of Charlotte Park was one of few displays that caught the eye of Christopher Knight, art critic for the Los Angeles Times. In a blog post on January 22, Knight described the quality of the fair as “disappointingly low,” but noted that “if you poke around you can find some things to like.” Of the five examples Knight gave, four were individual works: an abstraction from 1968 by Robert Mangold’, an installation by Meeson Pae Yang, a video by Pablo Uribe from “guest country” Uruguay, and a painting by Henrietta Shore. The only exhibition mentioned by Knight was that of Park of whom he wrote:
Charlotte Park (b. 1918), a little-known Abstract Expressionist painter from New York, has been enjoying a resurgence of interest in her works of the 1940s, ’50s and ’60s. A large selection of muscular, often chromatically brilliant paintings on canvas and paper show why. (Spanierman Modern) Continue reading