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Spanierman Gallery is pleased to present the exhibition Ten Modern and Contemporary Artists, featuring works created from the mid-twentieth century to the present by ten artists: Frank Bowling, Dan Christensen, Teo González, Carol Hunt, Stephen Pace, Charlotte Park, Katherine Parker, Betty Parsons, Neil Williams, and Frank Wimberley. The exhibition is on view thru June 16, 2011. A seminal figure in the Abstract Expressionist movement, Betty Parsons (1900–1982) launched the careers of many leading artists through the gallery she ran for thirty years; she was also an artist in her own right, producing abstract paintings and sculpture in which she drew from her stimulating milieu and expressed her own personal and witty responses to her surroundings. Charlotte Park (1918–2010), wife of James Brooks, evolved a unique version of Abstract Expressionism in the 1950s, developing a dynamic, vibrant approach to express a wide emotional range. The New York Times art critic Roberta Smith identified Park as among a few other women artists whose art shows “hints of bodies of work that might sustain further study.” Contemporary with Park, Stephen Pace (1918–2010) enjoyed a long and productive career. He visited the Paris home of Gertrude Stein in the 1940s, became a friend of Milton Avery’s in the 1950s, and trained with Hans Hofmann, whose teachings spurred the direct and vigorous Abstract Expressionist style he developed in the 1950s. In 1961, the critic, Thomas B. Hess, deemed him a “brilliant member of the second generation of New York School painters that burst on the scene, in the early 1950s, fully made, as if from the forehead of the Statue of Liberty.” Continue reading |
Monthly Archives: June 2011
Demetrio Alfonso Constructions: Renewing the Past
Spanierman Modern is pleased to present the exhibition Renewing the Past: Constructions by Demetrio Alfonso, on view through July 16, 2011. An artist who works with objects picked up on the streets of New York, Alfonso has a veneration for the past, which is expressed throughout his art. His mixed-media constructions reveal the beauty of his materials, imbuing his resulting works with an ancient and mystical symbolism, while embodying sensual and spiritual forces through direct physicality. Continue reading
Balcomb Greene at Greenville
Lisa N. Peters
On June 11, the Greenville County Museum of Art in Greenville, South Carolina, opened an exhibition entitled Balcomb Greene: The Elements, consisting of ten works lent by Spanierman Gallery. The works on view are in the unique figurative style informed by principles of abstraction and photography that Greene developed beginning in the 1950s. Before becoming an artist, Greene completed a bachelor’s degree in philosophy, wrote three novels, and took part in a master’s program in English literature at Columbia University, which led to a job teaching English at Dartmouth College. As an artist, he was an iconoclastic figure with an intellectual frame of mind. His passion for exploring the connection between the physical and spiritual materialized in these late works, in which forms are recognizable yet dislocated in space and intercepted by variegated passages of light and shadow, conveying a sense of becoming and being at once. His Angelina seems to look into his subject’s soul, while in Island and Summer Clouds, sky, rocks, and water are infused with a light that can only be described as supernatural. Continue reading
Frank Bowling at Royal Academy and Tate Britain
Frank Bowling’s Solo Exhibition at the Royal Academy
The Royal Academy in London presently has on view a solo exhibition of Frank Bowling’s work through October 23, 2011. The exhibition will celebrate Bowling’s long career and highlight his contributions to the Abstract Expressionist and Color Field movements. The opening also marks the fifth anniversary of Bowling’s election to the Royal Academy.
Frank Bowling Monograph
In addition, the Royal Academy of Art recently published a monograph, which honors Frank Bowling’s life and work. Written by the renowned art critic Mel Gooding, the monograph launch coincided with the opening of Frank Bowling’s exhibition at the Royal Academy.
Bowling’s Display at Tate Britain
2012 sees even bigger developments in Frank Bowling’s career. His work will be featured in a display at Tate Britain, curated by Courtney J. Martin.
Group Exhibition at Spanierman Gallery, LLC
This summer Spanierman Gallery, LLC will host the group exhibition Ten Modern and Contemporary Artists from June 16-July 16, 2011, featuring several paintings by Frank Bowling. For more details, please contact Bethany Dobson, bethanydobson@spanierman.com, (212) 832-0208.
Solo Bowling Exhibition at Spanierman Modern
Coinciding with the opening of Bowling’s Tate Britain exhibition, Spanierman Modern will host a solo exhibition in April 2012. For more details, please contact Martha Campbell, mcampbell@spanierman.com, (212) 832-1400.
Frank Bowling is represented by Spanierman Modern
For further information please contact:
Martha Campbell - mcampbell@spanierman.com - (212) 832-1400
Dan Christensen’s “Musca” at the Seattle Art Museum, Downtown
Lisa N. Peters

Dan Christensen's "Musca" on view at the Seattle Art Museum Downtown. Photograph courtesy of the Seattle Art Museum.
In the collection of the Seattle Art Museum, Dan Christensen’s large Musca (1968, acrylic on canvas, 108 x 132 inches) is currently installed on a wall of the museum’s dazzling downtown museum expansion (opened in 2007). The painting belongs to the period just after Christensen visited the Jackson Pollock 1967 retrospective at the Museum of Modern Art and began pioneering the use of the spray paint gun to create allover surfaces of looping air-compressed lines. The natural light that fills the steel-and-glass walled building brings out Musca’s luminosity, while the painting complements the quiet energy of this meditative refuge in the midst of the bustling city. Expressing the city’s vitality, while evoking a spiritual presence in its infinite movement, Musca seems well suited to its present home.
A similar work in the gallery’s inventory is Christensen’s O (1968), pictured here.




